UNSEEN
These previously “unseen” individuals typically fall into six different archetypes for sustainability an ecosystem: guardians, culture keepers, spiritual guides, healers, artists, and social and business entrepreneurs. They are deeply motivated by a sense of purpose, a desire to improve where they live and work, and a love for others. By recognizing these individuals, we empower them and this in turn motivates and influences others more effectively.
The Lao Iu Mien Community Reconnects Through 3-D Model Building
The Lao Iu Mien people, an Indigenous Laotian group that supported the U.S. during the secret war in Laos (1962–1975), relocated to Northern California after being displaced following the Vietnam War. As a result, the Iu Mien faced significant hardship, including separation from family and loss of their traditional village structure, once they resettled in the U.S.
Feeling displaced in their new environment, clan elders, the grand priest, and community leaders of the Lao Iu Mien Culture Association (whose ancestors were village chiefs) participated in our 3-D model-building process. A revelation came when they realized that healing would come from reconnecting with their village and cultural roots. The solution was working together to build a community center and a temple, honoring their ancestors and preserving their history and traditions.
This map illustrates the Lao Iu Mien community in Northern California, highlighting eight village districts and the leadership roles of the Lao Iu Mien Culture Association and the King Pan Buddha Light Palace. This community structure has been crucial for about 8,000 refugees. Over the past 25 years, the institute has witnessed a significant reduction in gang violence leading to social and economic growth. Having strengthened cultural and spiritual ties, the community now faces the challenge of navigating and adapting to life in America.
Tenderloin Gatherings Inspire Healing Through Art
In San Francisco’s Tenderloin, a district known for its struggles, local artists—including Southeast Asian community members and LGBTQ+ individuals—came together as a result of a Wildflowers survey that was taken at community gatherings to reflect on shared experiences of war and social and physical trauma in the Tenderloin. The gatherings of these disparate groups and their diverse works of art revealed a common narrative expressing the need for healing and self-expression. The strong response to these self-organized activities highlighted how the Tenderloin artists strengthened social bonds across diverse groups. The resulting “Hidden Gems” Project celebrated arts in the Tenderloin, emphasizing values such as empathy, respect, and mutual support.
This short film by the New York Times features Tenderloin artists and the work of Wildflowers Institute.
Informal leaders of the Lao Iu Mien community.
Tenderloin artist Ira Watkins painting in his van.